biography
oxygen 43 kg (61%, 2700 mol)
carbon 16 kg (23%, 1300 mol)
hydrogen 7 kg (10%, 6900 mol)
nitrogen 1.8 kg (2.5%, 129 mol)
calcium 1.0 kg (1.4%, 25 mol)
phosphorus 780 g (1.1%, 25 mol)
potassium 140 g (0.20%, 3.6 mol)
sulfur 140 g (0.20%, 4.4 mol)
sodium 100 g (0.14%, 4.3 mol)
chlorine 95 g (0.14%, 2.7 mol)
magnesium 19 g (0.03%, 0.78 mol)
iron 4.2 g
fluorine 2.6 g
zinc 2.3 g
silicon 1.0 g
rubidium 0.68 g
strontium 0.32 g
bromine 0.26 g
lead 0.12 g
copper 72 mg
aluminum 60 mg
cadmium 50 mg
cerium 40 mg
barium 22 mg
iodine 20 mg
tin 20 mg
titanium 20 mg
boron 18 mg
nickel 15 mg
selenium 15 mg
chromium 14 mg
manganese 12 mg
arsenic 7 mg
lithium 7 mg
cesium 6 mg
mercury 6 mg
germanium 5 mg
molybdenum 5 mg
cobalt 3 mg
antimony 2 mg
silver 2 mg
niobium 1.5 mg
zirconium 1 mg
lanthanum 0.8 mg
gallium 0.7 mg
tellurium 0.7 mg
yttrium 0.6 mg
bismuth 0.5 mg
thallium 0.5 mg
indium 0.4 mg
gold 0.2 mg
scandium 0.2 mg
tantalum 0.2 mg
vanadium 0.11 mg
thorium 0.1 mg
uranium 0.1 mg
samarium 50 µg
beryllium 36 µg
tungsten 20 µg,
housing a returned-to-sender soul.
A decision. A surrender. A promise (A-Z). Slow development of trust.
A lot of help (you won't do this on your own).
A denial of self, the sound of honest praise.
-----
Andrew Howie lives in an abandoned portastudio
on the muddy banks of the Beauly Firth in the north of Scotland. He
makes up songs using pieces of drift wood and the corpses of dead birds.
Strange men steal them away in the night while he's digging for scallops
or sleeping on the old couch behind the eight track. In the morning
he has no songs and has to start all over again. Sometimes he dreams
that he's actually married, living in a nice two storey flat over a
mini market and has turned the spare bedroom into a high-tech recording
studio. Since it rains a lot in Beauly and the roof of the portastudio
leaks, he usual wakens from these dreams to find his face is wet and
the song stealers have left the door open again.
Andrew has the knack of building songs
from apparently disparate parts; delicately picked acoustic, soft harmonies,
feedback, distortion, electronics, montages of samples, thunderous bass,
rock guitar, and found sound; which make sense as satisfying, haunting
wholes.
Reviews are found liberally scattered across
the web and in various high falutin' music journals. There should be
a sheet of impressive quotes attached here, but if you take a look at
each Calamateur release on the Autoclave
Records website you can read them in context and realise we weren't
just extracting the juiciest lines. It really is fair to say "Critically
Acclaimed". So we do.
Richard Vernon
Founder and Co-visionary, Autoclave Records